$500 Referrals

Davenport, Gordy eEarn an easy $500! Chambers Studio will reward you with $500 when you refer us to a friend who commissions a pastel or oil portrait.

How does it work? Simple:

If someone commissions a portrait and they found out about Tim through you, Chambers Studio will gladly pay you $500 to thank you for telling others of Tim.

It is our policy to ask new customers how they heard about Tim in order to give credit where due. Customers who contact the studio through our online contact form have the opportunity to enter the name of the person that referred them to Tim. Of course, if you ever pass on someone’s name to us, you can trust that we handle interested customers respectfully and confidentially. So, for an easy $500, tell someone about Tim Chambers.

If you’re on the shy side, or feel that you would be offending someone by suggesting they have a portrait by Tim, here are a few things to keep in mind:

~ A portrait is a beautiful thing, not just on canvas, but of the heart. A commissioned portrait speaks volumes about our love and respect for someone.

~ Customers rave of their experience working with Tim. Read their testimonials here.

~ Children feel a great sense of love and security upon seeing their portrait. Tim’s portraits capture a child that is loved, and it shows.

~ Tim’s portraits capture people in an amazing, intimate, loving way. Families are given a gift they’ll treasure for a lifetime. Families know their portraits will be passed on from one generation to the next.

So, when you refer someone to Tim, you’re inviting them to enjoy a unique experience and ultimately a gift they’ll treasure.

And they’ll have you to thank. 🙂

Do something special for a friend, and then imagine what good you could do with a $1,000.  Send them to timothychambers.com for the beginning of something special.

Note: if there is a promotion, then the referral fee is equally discounted only on Head & Shoulders portraits, with minimum referral fee of at least $250. Other format/sizes pay the full referral of $500 regardless of promotion. Referral commissions are paid at the payment of the completed portrait. Questions? Please contact the studio.  

** Terms are subject to updates. 

Re: Oil Portraits

Tim’s portraits convey the essence of his subjects. Not only is Tim an excellent draftsman, he takes the time to get to know his subjects, as we all know there is much more to a person than what’s on the surface. When viewing one of Tim’s portraits, the more you look at the portrait, the more you feel you know the person.

Dating back hundreds of years, oil is the traditional standard for portraiture. No other medium captures the richness and depth of a well-executed oil painting. Tim uses archival-quality materials
and time-tested methods in his work. Your portrait will last for many generations to enjoy.

“The portrait is gorgeous! I am blown away by it. It is really, really wonderful, and that is such an understatement.” -C. Saunders, Charleston, SC

“I just wanted to tell you how much I love the portrait. I just cried. It is definitely the best money we ever spent. To be able to capture that innocence forever makes letting Cayla and Joshua grow up a little less painful. I spent all weekend carrying a copy around in my purse and I could not stop peeking at it. I was just so moved by the energy and essence of the painting. It is like time stopped for one spring morning in May when our children were four years old. Tim, thank you.” Eileen S., S.C.

Re: Pastel Portraits

Tim Chambers believes a good painting is the culmination of keen observation, a joyful heart, and vibrant, confident execution. This is evident in Tim’s portraits. His pastel portraits combine
the richness of his oils, but have a delicateness and softness inherent of the pastel medium.

Tim approaches his pastel portraits just as he does oil portraits, both in approach and the integrity of the materials used. His pastels are framed similar to oils (no matting, only a traditional frame), the only difference being pastel is protected by an invisible, reflection-free glass (Tru-Vue AR Glass).

Some have asked if pastel is inferior to oil, or if it will last as long as oil. If you consider that oil paint is essentially pastel mixed with a liquid binder (such as linseed oil), you’ll see that pastel is actually a more pure medium than oil! In fact, when handled protected properly, pastels often retain their vibrancy much more than their oil counterparts, as seen in pastels by the French Impressionists. Tim uses only archival-quality, lightfast pastels and substrates for his paintings.

“Tim… thank you so much for Emilie’s and Colin’s portraits. I think they are amazing! You really captured their essence.” –Jenny

“Tim, The portrait looks great! I am thrilled. Someone came this morning to see Lucy’s portrait. She was extremely impressed. She said it was her favorite pastel she’d ever seen! Thanks so much!” -T.G., Raleigh, NC

Re: Charcoal Portraits

Charcoal is the oldest of drawing mediums, with charcoal portraits proudly hanging in museums throughout the world. “Charcoal is as close as you can get to painting without painting,” says Tim. It’s an amazing medium, lending itself to a very intuitive process. It has a wonderful range of values, and unlike pencil, is at home in the hands of a painter.

“I love how charcoal boils down the portrait its essence, similar to black-and-white photography. Nothing gets in the way of capturing my subject. There is a regality to its raw truth. Charcoal demands the artist's command of drawing."

Like his oils and pastels, Tim’s charcoals are archival-quality, and will last indefinitely with proper care.

“Tim, the portrait is INCREDIBLE. Thank you so much!!!! You really captured our parents.” -Bijan, Virginia

“The portraits of our children are STUNNING!!! I mean totally, completely stunning. WOW! We are so excited about these treasures. Thank you, thank you!” -Catherine G.

Re: Landscapes

"Landscape painting is dessert," says Tim. "It’s pure joy. No restraints, no one to please. Simply respond to the beauty of nature with heart and excitement; hold nothing back."

We all know that it’s more complicated than that. Tim tell's his students that “a good painting is a lot of good decisions.” His paintings’ beauty is a result of God-given talent refined by a lifetime of training and experience.

Tim aims for simplicity in his landscapes, to identify the essential elements. “You’re painting a moving moment. Can you see everything? No, but you do see something. What is it? What one thing sings to your soul here and now? Get that in your heart, in your head, and out through your hands onto the canvas.”

“Tim captured a Virginia evening on canvas for me, and I love the painting! The colors seem to glow.” -L. Paist, Purcellville, VA

Re: Still Lifes

Still-life paintings are like little portraits. I can arrange the elements any way I choose to convey a story. Sometimes the story comes first, and sometimes the players (the objects) make the story. I really enjoy the writing with paint.

The Fruit of the Spirit series is a great story. I read in the bible that the fruit of the Spirit are love, joy, peace, patience, kindness, goodness, faithfulness, meekness, and temperance. I’ve seen artists assign a different literal fruit (apple, banana, grapes, etc.) for each Spiritual fruit. But I wanted to see if I could take one fruit and put it in different settings to convey the meaning from Scripture. It has been a rewarding experience ruminating as I paint.

Winter months are ripe for still-life paintings, a respite from the chilling wind. Winter is also a time of reflection, and stiil-life painting is a wonderful medium to articulate those thoughts.

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“All it takes for evil to flourish is for good men to do nothing.”

by William Wilberforce

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